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Minnesota Fringe Festival

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A collection of some of the stories you grew up with, but with considerably more shtick. Plus some less familiar ones for your consideration. Each performance will feature different tales, so keep coming back!

The cast

Leslie Ball
Role: Various
Leslie Ball has performed on stages around the country from the Guthrie Theater to Carnegie Hall. Leslie's first solo recording earned her a Minnesota Music Award for best female songwriter. In 1991, Leslie launched BALLS Cabaret, a weekly experimental stage for artists of any discipline or experience. BALLS Cabaret is now in its eighteenth year and continually wins awards as the best open stage in town. BALLS was recently cited in the New York Times as a "must-see" in the Twin Cities and the local press often refers to Leslie as "the den mother of the Twin Cities art community." In addition to her work as an artist, Leslie is also an activist and educator. She earned her MFA at NYU and is currently pursuing a Master of Divinity Degree at United Theological Seminary.

Ben Chadwick
Role: Various
Ben Chadwick is a Twin Cities based performer/director and avid Fringe enthusiast. He has walked the boards at numerous theaters across the country and he's acted at a few of them too. He has appeared for The Children's Theatre Company, National Theatre for Children, The Shakespeare Festival of Los Angeles, Minnesota Shakespeare Project, Brave New Work Shop, Stevie Ray's Cabaret, Hey City Theater, Actor's Theatre of Minnesota, Theatre in the Round, Gremlin Theatre, Mystery Café, Paul Bunyan Playhouse, and the new Yellow Tree Theatre in Osseo, MN. Some of his favorite roles include the Lion in The Wizard of Oz, Leonard Gantz in Rumors, Tyler Moore in We Gotta Bingo, and Agent Vernon Feeney in The Quick and the Red (written by Ari Hoptman). He is incredibly excited to be working with Ari again and with such a fabulously talented group of people. This fall he will be playing thirteen different characters in Leaving Iowa at Jon Hassler Theatre. And you won't want to miss him as qeylIS Present (the Ghost of Christmas Present) in Commedia Beauregard’s remounting of A Klingon Christmas Carol at Mixed Blood Theatre in November. Ten years ago this August, Ben traveled to the original Edinburgh Festival Fringe in Scotland to perform for a week and ended up staying for the month. Three million people from around the globe converge on the city. 230 venues squeezed into every available space. Over 2000 shows performed each day. A pub on every corner filled with theatre folk and Guiness. Incredible! He saw almost a hundred shows.” There is nothing like it. Ben saw 42 shows at the 2007 Minnesota Fringe and is hoping to break that record this year. He wishes to thank his loving wife Heidi for her amazing devotion, respect, and support.

Ari Hoptman
Role: Playwright; Various
Ari Hoptman is pleased to be returning to this year's Fringe. He is an actor, playwright, and comedian whose previous shows include Y2K and the Seven Dwarves, Dang! The All-Request Show, Delaware and Other Lies, and the drama The President, Once Removed. Ari has worked with a number of theater companies in the Twin CIties, including Park Square and the Great American History Theater, and has performed extensively with the Paul Bunyan and L'Homme Dieu summer stock theaters. He will also be appearing in Josh Scrimshaw's Fringe show The Harty Boys in The Case of the Limping Platypus.

Michelle Hutchison
Role: Various
Michelle is happy to return to the Fringe Festival, having last been seen at the Fringe in Thirst Theatre's rooftop at Joe's Garage in 2007. Michelle has appeared in many local stages such as the Mixed Blood (Poetry of Pizza, Living Out), History Theatre (Kirby, The Baron), the Guthrie (Lysistrata, The Canterbury Tales),Theatre Latte Da (Knock!), as well as appearing in Los Angeles in the LA Weekly nominated show, The Bad Seed, and Cabin Pressure at The Hudson Theatre. Michelle has deep roots in improvisational theatre as a former company member of Dudley Rigg's Brave New Workshop, and founding member of ComedySportz. Film credits include Fargo, My Best Friend's Wedding, Drop Dead Gorgeous, Factotum, Into Temptation, Nobody, and many more unknown indy films.

Peter Moore
Role: Director
Peter Moore has directed at the Guthrie, Torch Theater, Actors Theatre of Minnesota, Hennepin Stages, History Theatre, the University of Minnesota, the Illusion Theater, The Playwright's Lab, Theatre L'Homme Dieu, Theatre in the Round and Park Square. Other directing credits include Off- Broadway's York Theater, the Coconut Grove Playhouse in Miami, Virginia Premiere Theatre in Williamsburg VA and the San Diego Rep. He was the stunt coordinator for the films Factotum and Embrace of the Vampire and the Broadway production of Disney's The Lion King. He has directed numerous live industrial shows and videos as well as the Star Wars: Dark Forces audio-cassette series for Lucasfilm.

Carolyn Pool
Role: Various
Carolyn Pool is a Twin Cities-based actress whose work has been seen all over the United States. Recent roles include Clarissa in Spider's Web, Pfeni in The Sisters Rosensweig, Curley's Wife in Of Mice and Men, and Catherine in Proof at Park Square Theater, Shelly in Planting Shelly Ann for Workhaus Collective, and Vivien Leigh in Orson's Shadow at Gremlin Theater, winner of the 2008 Ivey Award for Outstanding Acting Ensemble. Carolyn can also be seen in the recently released films Good Morning and Midnight. This winter, Carolyn will be back at Park Square Theater for the productions Of Mice and Men, Rock and Roll, and Dead Man's Cell Phone. [Make sure to also catch her in 2 Sugars, Room for Cream at this year's Fringe!]

Joshua English Scrimshaw
Role: Various
Joshua English Scrimshaw is a "clever and inventive voice in comedy theater" (Star Tribune). In 2002, he collaborated with choreographer Adrienne English to create the dance and silent comedy show Shut Your Joke Hole, named by City Pages as one of the Twin Cities' ten best theater productions of the year. Joshua also teamed with Shanan Wexler to write and produce From Here to Maternity, one of the top selling shows of the 2007 Minnesota Fringe Festival. In addition to writing and producing, Joshua has performed with many local theater companies including Bedlam Theater, Off Leash Area, Theater in the Round, John Munger's Third Rabbit Dance Ensemble, and Cheap Theater. A frequent collaborator with Hardcover Theater, Joshua was featured in the final three installments of the hit Victorian serial London After Midnight and co-wrote Johnny Bocca's Sex Farce for Swingin' Lovers, an adaptation of the saucy Medieval classic, The Decameron. Joshua can be seen now and again in Tony 'n' Tina's Wedding and next year will reunite with Hardcover Theater for an adaptation of P.G. Wodehouse's classic comedy novel, Right Ho, Jeeves!. [Make sure to see his other Fringe show, The Harty Boys in The Case of The Limping Platypus!]

Toni Solie
Role: Stage manager
Toni Solie began stage managing in the Twin Cities with the original production of Don't Hug Me at Hennepin Stages. She was brought into the Fringe community with The Sound of Musak starring Coco Fondue and is thrilled to be back. Other productions have included The 1940's Radio Hour with 8Ball Theatre, A Piece of My Heart with Theatre Unbound and multiple productions at Theatre in the Round on light and sound boards.

Bill Stiteler
Role: Various
Bill Stiteler has been a Fringe volunteer for many years, and has been a writer/director/actor in many productions, including Signal to Noise, Edward III, Play on Birds, and THACO, the last of which he adapted into his first film.

Clarence Wethern
Role: Various
Born and raised in New Orleans, Clarence relocated to Minneapolis in 2005 following Hurricane Katrina. In Louisiana, his work included the regional premieres of Proof and The Laramie Project and the title role in The Elephant Man. Since arriving in the Twin Cities, he has performed with The Playwrights' Center, Workhaus Collective, Theatre Pro Rata, Starting Gate Productions, Nimbus Theatre, and Paul Bunyan Playhouse, among others. He tours throughout the country with The National Theatre for Children and GTC Dramatic Dialogues, is a trained improvisor, and has appeared in numerous on-camera projects. Also at the Fringe, Clarence is currently appearing in Bard Fiction, a Shakespearian parody of Pulp Fiction.

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Ari Hoptman

Tales ... Of the Expected!

Fri., Jul. 31 @ 10:00 p.m.
Sun., Aug. 2 @ 1:00 p.m.
Wed., Aug. 5 @ 7:00 p.m.
[A] Thu., Aug. 6 @ 5:30 p.m.
Sat., Aug. 8 @ 5:30 p.m.

KEY:
[S]=ASL interpreted
[A]=Audio described

Venue U of M Rarig Center Proscenium
For ages 16+
Written by Ari Hoptman
genres Comedy, Satire
features World premiere, Original script/choreography

Overall rating

User reviews

Entertaining
by Heather Smith Follow this reviewer
Rating 4 kitties
I enjoyed all the performers in this group, and found Sleeping Beauty to be my favorite sketch...with some memorable lines from Jack and the Beanstalk as well. Overall, it was an entertaining way to spend an hour.

Maybe a little too... expected
by Sharon Kahn Follow this reviewer
Rating 4 kitties
Stellar cast, but the material was pretty thin. Maybe I've just seen a few too many variations on the fractured fairy tale, and the genre just isn't as funny as it was back when I was watching Rocky and Bullwinkle. It would have been a great kid's show if it weren't for the astonishingly foul-mouthed Mom in the first play. Don't get me wrong - she was hilarious - but she pretty much takes the play off the table as a kids' matinee.

Great Show Ari!
by Edwin Strout Follow this reviewer
Rating 5 kitties
I so wish that I could have seen every single story in one sitting. I'm not able to visit the show more than once. I saw "Jack and the Beanstalk", "Rumpelstilsken" (sp?), and "Das Boat." (yes, correct spelling). And I whole heartedly agree with my wife, that this show (in this incarnation) had the best opening line ever delivered by Michelle "F**k Poverty! And you can tell it I said so!"

I don't know if this is a show for everyone. I'm a big fan of Ari. I have been even before I had the wonderful chance to know him, at a Fringe show back in 1998/99 (I can't remember which). Yes, these are all stories that you've heard (hence the title, People!), except for "Das Boat." But it has that special Ari spin and humor that makes this one absolutely delightful show delivered by very good actors who appreciate Ari as much as I do.

That is all I have to say.

A new spin on some old classis
by Heather Baldwin Follow this reviewer
Rating 4 kitties
This was a fun, silly show. The performance I attended featured Sleeping Beauty, "Das Boot", and Jack and the Beanstalk. Ben Chadwick, as the bishop in Sleeping Beauty, and the actress who played the witch in Sleeping Beauty and the mother in Jack particularly stole the show, but everyone did a great job. I laughed throughout the whole thing. I definitely recommend checking it out.

And the Immoral of the Story is...
by Geek Grrrl Librarian Follow this reviewer
Rating 4 kitties
These fairy tales are more ruptured than fractured, showing the dark rot at the heart of many relationships such as Jack and his blowsy mother in Jack and the Beanstalk; the greedy loutish King and his selfish ambitious "spinster" wife (as well as her manipulative parents) in Rumpelstiltskin; and the cut-throat antics of the crew of Das Boot. Great ensemble acting, clever dialogue that really helps you appreciate and savor the power of words, and some particularly wonderful costuming choices make this a must-see. May have to go back to see the 2 tales I missed - Sleeping Beauty and The Little Engineer That Couldn't.

Go.See.This.
by leo borer Follow this reviewer
Rating 5 kitties
[please]. A fine cast in a funny show. As Stan Lee says, 'Excelsior!'

too expected
by Sarah Bauer Follow this reviewer
Rating 3 kitties
The first tale seemed hilarious and the other two seemed to be much slower. Perhaps it's just that the comedic formula was established in the beginning and went unaltered so the audience wasn't as surprised by the jokes as the show went on. but the actors were all very funny and each had some great moments.

Funny and fun
by Val Rigsbee Follow this reviewer
Rating 4 kitties
This show features a phenomenal group of actors playing sitcom-like theatre. This is what Fairy Tale Network would have been had Shelley DuVall not been scared of dirt and sex. It was great Fringe-light fare.

Truth in Advertising
by Patrick Pfundstein Follow this reviewer
Rating 3 kitties
The cast is excellent, but this is in fact mostly Tales of the Expected. We've heard them before, and while engagingly told, these tales are pretty much what you'd expect. It probably didn't help that I had seen one of the segments entirely before, and the show I was at was both well attended and filled with laughs, but this is a good show rather than a great one. I'd actually rate it 3.5, but the Fringe didn't give me that option.

expect to laugh
by Karen Taulelle Follow this reviewer
Rating 5 kitties
I am so thankful to Ari Hoptman for reminding me of that old favorite childhood fairy tale, Das Boot. Great mind, great cast, great show.

Magical Beans
by William Ronchak Follow this reviewer
Rating 4 kitties
A fun evening of childhood tales that was a joy to watch. A little slow at times but overall well played.

Ari Shines
by Ben San Del Follow this reviewer
Rating 4 kitties
The rest of the cast was good, but Ari Hoptman was the scene stealer (though Joshua Scrimshaw certainly had his moments). I'm a huge fan of Ari's (I especially like his solo work) and had high hopes for this show, and for the most part wasn't disappointed. The concept of satirizing fairy tales is not my favorite, and it has been done in many other forms. But overall, a fun show.

Hit and Miss
by Melissa Campbell Follow this reviewer
Rating 4 kitties
I saw this show opening night with my husband and we both agreed that Ari Hoptman and Joshua English Scrimshaw were great, the rest felt rather flat.

Oh, Geez!
by Micah Bruce Follow this reviewer
Rating 4 kitties
Out of the 3 "Tales" I saw, I thought Sleeping Beauty was outstanding. Das Boat and Jack and the Beanstalk were okay. The cast was extremely strong and overall, it was a pleasant way to spent a little less than an hour.

fun. delightful. funny.
by Kate Thomas Follow this reviewer
Rating 5 kitties
Cast and writing are stellar. A real delight and fun way to Fringe with a group. All ten of us loved it and had a rip-roaring good time. Bravo!

Delightful!
by Tim Voss Follow this reviewer
Rating 4 kitties
Ari and his friends doing what they do best. It was funny, smart, and well done. Kudos all around.

what can I say?
by Christian Carter Follow this reviewer
Rating 5 kitties
Wacky, hilarious, quirky, fast paced, witty, polished, great.

Every story was strong, no performers brought the show down. There was nothing wrong with this show, and a lot of right.

Go See? Yes, for some amazing schtick!
by Nick Decker Follow this reviewer
Rating 5 kitties
Like many children, I grew up to bedtime stories and parables; unlike some children, I was also raised to appreciate corny, cheeseball humor and irreverent parody. Tales reminded me of why I loved Fractured Fairy Tales: the dialogue was cheesy yet snappy and the humour was as socially scathing as it was self-deprecating.

Each performance showcases three of five tales "repurposed" Ari Hoptman. I was lucky to have caught the fantastic retellings of "Sleeping Beauty," "Jack & the Beanstalk," and my personal favorite, the classic fairy tale Das Boot (I'll leave you to figure out the wonderful pun, should you see the show).

I expect some people won't appreciate this show; I refer to those people, in a more polite fashion, as "joyless schmucks." The performers relished their roles, punctuated their punchlines, and sated the satirist-fanboy in me.

great mix of clever and obvious humor
by William Hollerich Follow this reviewer
Rating 5 kitties
Good actors don't always make the best comedians, but that wasn't true of this cast. These veteran performers had great timing, and excellent ears for the tone needed to wring the most from Hoptman's cheeky renditions of childhood stories. Everything about "Rumpelstiltskin" was good, from the hokey daughter and the doleful mother, to the dopey elf and especially the King (who's proof that a good joke is even better steam-rolled into the ground). We also liked "Das Boot," with its shallow-sea chanty and some hilarious on-stage awkward silence...Some might mistake ironic for wooden or schticky for hammy, but most people will laugh hard at this show.

Not What I Expected
by Erik Hoover Follow this reviewer
Rating 3 kitties
While the cast members do some fine work, they're undermined by material that feels a bit stale.

a great cast makes this worth watching
by Florence Brammer Follow this reviewer
Rating 3 kitties
It's so much fun to see these great talents onstage together, despite the uneven quality of the writing. The ferry pirate segment ("a story with a nautical theme") is worth the price of admission.

A Fun Show
by Richard Shields Follow this reviewer
Rating 4 kitties
This show is a gathering of some of the major talents in the TC theater scene. While the material is not pioneering, it is cleverly delivered and provides laughs. It is worth going to see.

Excellent cast with great timing
by Arthur Adams Follow this reviewer
Rating 4 kitties
These have got to be some of the best performers I've seen at fringe, and luckily they're all in the same show! I laughed out loud often and was really amused by the twisted workings of Hoptman's creative mind. I, like several previous reviewers, felt that the first story was the best and the other two didn't make quite as much of an impact. I can only assume that since the shows rotate, maybe this type of humor just isn't as funny after the first thirty minutes or so. Don't get me wrong - there was a lot of great stuff in there, but it just didn't quite sustain itself for an entire hour. It was a fun diversion, and I'd recommend the show to anyone who likes to laugh!

Very disappointing
by Dave Larson Follow this reviewer
Rating 1 kitty
I was looking forward to this show, because I have liked Mr. Hoptman's stuff in the past, but I found the writing to be obvious, the direction wooden and the acting hammy. Skip this one.

Tales of the Expected.
by Joan Calof Follow this reviewer
Rating 5 kitties
I was impressed by the wonderful acting, the professionalism, but most of all by Ari's quirky mind, a surprise at every turn. I loved it all and laughed a lot.

What fun, what fun!
by Aaron Greer Follow this reviewer
Rating 4 kitties
Watching this show felt a lot like watching cartoons on Saturday morning as a kid, or perhaps more aptly like watching those cartoons that are designed for the winking enjoyment of the adults in the audience. A wonderfully cheerful way to start the day a-fringing. Good material, well performed with what feels like a cast having a lot of fun and sharing it with us in the audience. Unless your dour and cynical enough to not be able to enjoy such lighthearted mirth, I'd certainly recommend checking it out.

A little schtick goes a long way
by Erika Klein Follow this reviewer
Rating 3 kitties
The first tale had me genuinely laughing out loud, but each tale diminished in quality and laughs as the show progressed. Extra point for the brilliantly talented cast.

the unexpected was the best
by Dan Pinkerton Follow this reviewer
Rating 4 kitties
Great cast, superb timing, good direction. Oddly enough for an Ari Hoptman show, the writing of the fractured fairy tales was only OK. However, in the middle was a superb original tale about three pirates who run a ferryboat (and their adventures in the city library) that was hysterically funny. At one point, Ari and Joshua Scrimshaw got the entire audience roaring just by standing alone onstage and saying nothing. Man, THAT'S comedy.

Clever spin on the classics
by Julie Stone Follow this reviewer
Rating 4 kitties
Funny take on the classics. Enjoyable. Nice touch that they rotate the tales from show to show.

Clever and funny
by james vculek Follow this reviewer
Rating 5 kitties
There's a reason Ari Hoptman has a huge following in the Twin Cities' theater/comedy community, and this show perfectly illustrates it. Clever, witty, laugh-out-loud funny, and a coterie (Ari could make an entire hilarious comic sketch out of my use of that word) of talented theater folks putting it across perfectly. Highly recommended.

It's Ari Hoptman, what can I say?
by Pat Lindgren Follow this reviewer
Rating 5 kitties
Oh, and an all-star cast of the best performers in other shows at the Fringe

Uneven
by Jay Lieberman Follow this reviewer
Rating 3 kitties
I was at that 10 p.m. show and I agree that it started out strong and then faded.

All Around Fun Show
by Dean Hatton Follow this reviewer
Rating 5 kitties
A fun show with a superb cast and clever writing.

A grown up twist with schtick!
by vickijoan keck Follow this reviewer
Rating 4 kitties
Fun takes on familiar tales, written with the touge in cheek schtick that you expect from Hoptman! A fine professional cast adds a lot of humor, and it kept me laughing - even at 10 pm after seeing 3 shows prior to that. I love new twists on old tales, so will probably be back to see some of the others, because no 2 shows are alike. Good fun!

Fizzed
by David Trudeau Follow this reviewer
Rating 3 kitties
Maybe it was the late hour - we saw a 10:00 show. "Rumpelstiltskin" was good with good energy, and it could have well ended there because the next two tales went slowly downhill - the gags got further apart and the timing suffered.

You want Fun? Here's fun!
by Larry Ripp Follow this reviewer
Rating 4 kitties
I will now write a review of the show I saw Friday night. I will NOT write about "what I expected" or make comments about the cast's Past Work. I am only going to comment on a comedy show I saw Friday night. Here we go... "Tales Of The Expected" is a lot of fun. If you want Hair Trigger timing, Wit, New York level performances, silly stories with NO message other than a wink and a sly off color joke here and there, THIS is your show. Go, laugh, forget your troubles, giggle and leave. It's Very easy to enjoy yourself with this show. Why turn down an offer like that?

Clever!
by Cole Sarar Follow this reviewer
Rating 5 kitties
I'm not having the same issues as other reviewers- I found myself laughing almost throughout the whole show. Using tongue-in-cheek humor, Hoptman pokes fun at both the fairytales and at modern society. Last night's show was the hilarious Rumplestiltzkin, the tawdry Engineer who Couldn't, and the bureaucracy ridden Das Boot.

The cast is strong and has good chemistry. I'm not sure the other reviewers caught that the tone was intentional, but I had a blast.

ok...i guess
by Heather Kilgore Follow this reviewer
Rating 3 kitties
Kind of a toss-up, I'm afraid. We liked the first story, hated the second, and were ambivalent about the third. Spotty laughter is a hard way to spend the 10:00 hour.

Good Actors and Bad Writing
by nikki wakal Follow this reviewer
Rating 2 kitties
This is what happens when good actors have no good material to work with. My laughs were few, and I feel the space was too big for them. Not something I would recommend.

Fractured fairy tales
by August Berkshire Follow this reviewer
Rating 4 kitties
The three playlets (stories) we saw varied in hilarity, but there was good humor throughout, as well as good acting and interesting characters. Evidently they have a repertoire of short stories they will be performing during the Fringe. I look forward to seeing this troupe again. I wonder if each show has an entirely new batch of stories or if there are any repeats.

HO-HUM: Unexpectedly bad
by Sandy Wolfe Wood Follow this reviewer
Rating 2 kitties
We went to this based on a recommendation in the Strib, and it was the second show we saw Friday night. The hour went all too slowly, and the acting was overly-obvious and much less than we expected from a well-experienced cast. Not a good use of your Fringe ticket.

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