About Minnesota Fringe

There is one big thing that makes Fringe different from any other event in town: All the shows you'll see at Fringe were selected randomly by lottery.

Yep. That's right. Each year the lineup is crafted by placing numbered ping-pong balls into a bingo cage and drawing them out, one by one. From stage veterans to people who are brand new to theater, Minnesota Fringe is a forum for anyone with a story to tell. We also provide the necessary support to make producing a show as easy as possible, regardless of where you land on the artistic spectrum.

Anyone (yes, anyone) can apply to have a show in the festival. If you'd like to have a show in our next festival, applications will go live in November here on our website. Sign up for our newsletter to receive a reminder as well as information about other theater events happening around town.

The mission of the Minnesota Fringe is to promote creative freedom and diversity of artistic expression by linking adventurous artists with adventurous audiences. Thank you for joining in this adventure!

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Shows start and end on time at Fringe. With 850 performances of 167 shows in just 11 days, we have to run a tight schedule to avoid descending into chaos. Performances are no more than 60 minutes long with a half hour between each show.

On weekdays shows begin at 5:30pm, 7pm, 8:30pm and 10pm. On weekends there are additional shows at 1pm, 2:30pm and 4pm.

Late seating: There is NO LATE SEATING at Minnesota Fringe. In addition to keeping our schedule, late seating is a safety issue for artists and audiences.

Safety for artists: Some of our theaters require that patrons walk across parts of the stage to reach the seating area, and many of our production companies’ stage work encompasses entrances and exits from the house.

Safety for audiences: Entering a darkened theater, possibly for the first time, and trying to find open seats puts patrons and volunteers at unnecessary risk.

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Fringe Central

Fringe Central, sponsored by Surly Brewing and hosted by Grumpy's Bar & Grill - Downtown, serves as the late-night watering hole for artists, staff, volunteers and audience members alike. Come in after a day full of shows to grab a beer and some bar food. Talk about what you loved and what you didn’t. Meet the artists behind the scenes and actors on the stage. Find out what you should see tomorrow or dream up your own idea for next year. You never know what will happen during Fringe, but dropping by Fringe Central gives you a serious head start.

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What to Wear

Shorts and a t-shirt. Seriously. Also, a pair of comfy shoes will serve you well in case you have to wait in line. Pro tip: Most Fringe shows take place indoors in air-conditioned venues, so having a layer to throw on in case you get chilly is also advisable.

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Choosing a Show

With 850 performances of 167 shows, it's scandalous to see just one. But how to choose the perfect lineup?

Search by genre: You can filter for genres when trying to decide what to see.

Talk to people: It only sounds scary. Just look for the folks in lanyards. Lanyards are worn by Fringe artists and there are at least a thousand of them dying to tell you about their show.

Read and write reviews: See what audiences are raving about on our audience review page, then return the favor and let others know what you thought.

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Get Involved

Fringe isn't just a festival - it's a community, and it couldn't exist without people like you.

Create: Applications for the 2018 festival will go live mid-November on this website. Fringe is open to everyone, all shows are selected by lottery, and you don't even need to have a show ready when you apply.

Attend: Thanks to the new day pass system, attending Fringe is easier and cheaper than ever.

Volunteer: Our 400+ volunteers are near and dear to our hearts and make our festival go, so we shower them with lots of love and complimentary seats! Sign up for a shift now!

Socialize: Join us any night of the festival at our official hangout, Fringe Central sponsored by Surly Brewing and hosted by Grumpy's Bar & Grill - Downtown, for a beer, a burger and maybe even some late-night shenanigans.

Support: Help us create Minnesota's Summer Theater Crawl by donating to or sponsoring our annual festival. Gifts of any size make a large contribution to our ability to meet our mission.

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Box Office Info

Pass + Token = Your Admission

Everyone needs a valid pass to see a show. In addition to your pass, you will receive a token at the venue which guarantees you a seat. Turn in your token to the usher when you enter the theater.

More information about passes and policies here.


Optional reservations guarantee a seat for a particular performance and can be purchased online in advance. You must also have a valid to get in. Day passes can be bought online with a reservation to save time, and can be picked up at the venue box office 30 minutes before the performance.

More information about reservations here.


For everyone's safety, Fringe does not allow late seating or re-admission. Photos and video are prohibited without written permission from the production staff. Fringe cannot provide refunds or exchanges.

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The Memory Box of the Sisters Fox

By The Winding Sheet Outfit
Created by The Winding Sheet Outfit

Playing at U of M Rarig Center Arena

A circle. A seance. A story. A memory. A tale of two sisters who spoke to the dead.

The creators say this show is appropriate for ages 12-15 and up


Fri, 8/4 @ 10:00pm


Sun, 8/6 @ 4:00pm
Audio described


Mon, 8/7 @ 8:30pm


Thu, 8/10 @ 7:00pm


Sun, 8/13 @ 5:30pm

* Reservations not required, but a Day Pass is. Find out more below.

Ticket Options

Day Passes are $16 on weekdays; $22 on weekends. Day Passes serve as entry to any show in the festival on a given day. Optional reservations to guarantee a seat for a particular performance are available by clicking the "reserve" button above. Day Passes can be purchased in advance with a reservation or at any venue box office during the festival.

Weekdays 1pm-3pm and Weekends 11am-1pm we'll also open an Alternative Box Office at Fringe Central so you can grab a Day Pass and skip the lines at the venue before the show.

Day Passes for kids 12 and under are available at any box office during the festival just $5 every day.

A 2017 Fringe button isn't required for entry, but it does get you access! Wearing it not only identifies you as a part of a fabulous Fringe community, it also entitles you to special deals at local bars and restaurants and access to reduced ticket prices at various theaters throughout the year. Get your 2017 Fringe button for only $4 at any Fringe preview event or Fringe venue during the festival.

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Cast and crew

Megan Campbell Lagas

Catherine Fox

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Megan is the Mother of two boys and a lot of pets, a Teacher, and a Theatre Artist. She has performed with 15 Head: a theatre lab, Children’s Theatre Company, Illusion Theatre, Saint Paul Chamber Orchestra, Theatre Unbound, Theatre in the Round, The Winding Sheet Outfit, and Sandbox Theatre where she has been a collaborator since 2004, and a company member since 2012. Sandbox credits include aphasiatica:duet, Zelda: Wonderland, War with the Newts (2007 and 2015), Suitcase, This Is A World To Live in, Marie-Jeanne Valet Who Defeated La Bête du Gevaudan, Killer Inside (Project Lead), and 600 Years (Music Director/Composer). Sisters Fox is Megan’s third collaboration with The Winding Sheet Outfit.

Megan earned her BA in Theatre and MA in Education, both at the College of St. Catherine. She teaches English at Adult Basic Education, Minneapolis Public Schools.

October 2017: Wanda Gag: In The Treetops (Project Lead) -- Sandbox Theatre at Open Eye Theatre

Kayla Dvorak Feld

Kate Fox

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Kayla is an actor and teaching artist in the Twin Cities. Formally of God's Country (Iowa), she received her B.A. in Theatre Arts at Simpson College. She is quite pleased to be performing with The Winding Sheet Outfit for a second time, having been previously seen in The Theatre of the Tiny Clandestines. Kayla has also worked with companies such as Daleko Arts, Theatre Pro Rata, Hero Now Theatre, Theatre Unbound, Theatre in the Round, among others. When she's not making theatre, Kayla enjoys reading, sleeping, being outdoors with her husband, and looking lovingly at her perfect dog, Mira.

2016: Mead Hall - Tedious Brief Productions
2011: Tempests - Tedious Brief Productions

Oct-Nov 2017: Body & Sold - Chain Reaction Theatre Project

Kristina Fjellman

Margaret Fox

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Kristina is a visual artist and performer, and is drawn to projects that combine these passions. She has exhibited sculpture in the Midwest and Twin Cities, is a 2010-2011 recipient of a Jerome Fiber Art Project Grant at the Minnesota Textile Center, and has performed with The Winding Sheet Outfit, Red Eye Theater and Sandbox Theatre. Her work with The Winding Sheet Outfit’s Theater of the Tiny Clandestines received a Knight Arts Challenge grant in 2014. Recently, a retrospective of her work was exhibited in Apparent Magnetism at Coe College in Cedar Rapids, IA, and Reflection and Refraction exhibition at The Phipps Center for the Arts in Hudson, WI. She was last seen on stage in 600 Years with Sandbox Theatre.

Kristina is a graduate of St. Catherine University with a Master of Arts in Education in both Art and Theater Education. She is an ensemble member of Sandbox Theatre and a founding member of The Winding Sheet Outfit.


2014: Fringe Orphans 3 “Fit in This” – Performer
2012: Birds of Passage - Winding Sheet Outfit- Ensemble/Peformer
2009: Full Frontal: A Tale of Love and Lobotomies- Director/Performer
2008: Lysistrata 2.0 - Ensemble/Performer
2006: Baghdad Burning - Performer

October 2017: Wanda Gag: In the Treetops (ensemble) – Sandbox Theatre, performing at Open Eye Figure Theatre
Fall 2017: exhibition (featured artist) -- at Gilded Pear Gallery in Cedar Rapids, IA

Boo Segersin

Maggie Fox

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Boo is freelance performer (acting, singing, moving, devising) who has been working in and around the Twin Cities since the age of 6. She has worked with many wonderful companies including Fearless Comedy Productions, Impossible Salt, Really Spicy Opera, Swandive Theatre, SteppingStone Theatre, Six Elements Theatre, Ghoulish Delights, Sod House Theater, Silver Slipper Productions, Cross Community Players, Lyric Arts, Children's Theatre Company, History Theatre and the Minnesota Opera. She is also a teaching artist with Stages Theatre Company and performs at birthday parties as a certain princess. Boo graduated Summa Cum Laude from Augsburg College with a B.A in Theater Arts: Performance and Directing/Dramaturgy/Playwriting with a minor in Musical Theater (and Norwegian).

2016: Game of Thrones: The Musical-- Really Spicy Opera Company
2015: Melancholy London--Ghoulish Delights

Andre Johnson Jr.

Stage Manager

André Johnson Jr. is a theatre artist in the twin cities stage managing, designing, acting, and creating works. Though he has only been in the cities two years, it has been a whirlwind of shows, great people, and fantastic theatre. He is excited to do his first show with The Winding Sheet Outfit and getting the chance to work with such amazing artists again.

2016: Home (The place where my stuff resides) (Publicity) -- Red Dice Collective
2016: Darlings (Stage Manager) - Animal Engine
2016: A Mario Kart Named Desire (Set, Costume, Props designer) -- Melanistic Squirrel

October 2017: The Minotaur (Stage Manager) -- Theatre Pro Rata at the Crane Theater

Amber Bjork

Director / Medium

Amber is a Twin Cities-based actor, director, writer, and producer. She is the founding member of The Winding Sheet Outfit, recipient of a 2013 Irrigate grant and a 2014 St. Paul Arts Challenge grant from the John S. and James L. Knight Foundation for the production of the travelling tent show, The Theatre of the Tiny Clandestines. She is a recent recipient of a 2017 MRAC Next Step grant funded by McKnight Foundation that will allow her to take The Winding Sheet Outfit outside of theaters and into more surprising and non-traditional spaces.

From 2009 to 2016, Amber was a company member and artistic associate of Theatre Pro Rata, where she directed T Bone N Weasel, Elephant’s Graveyard, and The Knight of the Burning Pestle, and appeared in several productions including The Beauty Queen of Leenane, Lovers & Executioners, and The Taming of the Shrew. She has also appeared onstage with Transatlantic Love Affair, Savage Umbrella, Theater Unbound, nimbus, and Guthrie Theater, and collaborated and directed for Sandbox Theatre, Freshwater Theater, and Tedious Brief Productions, among others. Amber works year-round for the Minnesota Fringe Festival as the artist liaison and thinks you should bend time and space to see every show in this festival.

2015: 105 Proof or the Killing of Mack “the Silencer” Klein – Transatlantic Love Affair
2014: Marie-Jeanne Valet Who Defeated La Bete du Gevaudan – Sandbox Theatre
2014: Fringe Orphans 3 “Fit in This” – Navel Gaze Productions
2013: Turn Signals – Freshwater Theatre
2013: Fringe Orphans 2 “The Sound of Food” – Navel Gaze Productions
2012: Birds of Passage – The Winding Sheet Outfit
2011: Tempests – Tedious Brief Productions
2009: Bard Fiction – Tedious Brief Productions

October 6 – 22, 2017: The Minotaur (director) – Theatre Pro Rata, performing at The Crane Theater

More information

As children, Kate and Maggie Fox convinced their family, community, and ultimately the world that they could talk to spirits, essentially kicking off the Spiritualist Movement and creating the profession of Medium. In later life they announced that it was all a hoax. But their confession found them ousted by the Spiritualist community rather than toppling it, and they would die soon after, penniless and defamed. Inside this history is a tale of two sisters, their relationship to each other and to the dead. We tell their story in the form of a seance and give them time to speak. 

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In our telling of the Fox Sisters' story, we set the stage for spirits and seances. Is it horror? No. While those of us in the present day may look back at shrouded ladies and hand-holding circles in the dark as mysterious and spine-tingling, the Spritualists of the 1800 saw these things as a beacon of hope. Death was more common in those days--diseases, accidents, the Civil War--what people were really searching for was proof of life after this one and the assurance that death enilightens rather than silences us.

The Memory Box of the Sisters Fox is a love letter to Margaret Fox Kane and Catherine Fox Jencken. As the accidental founders of the Spritualist Movement, their lives were fascinating and tragic, filled with spirits and loss. And while they were separated from time to time, their lives wound around each other, supported each other, beginning and ending in the same shared fates. The play is a blurring of past and present, of living and dead, and the kind of theater that transports you and one that reminds you exactly where you are sitting. There is sweetness, but mostly sorrow.

If you're interested in learning more about the Fox Sisters, here are some enjoyable references.

Podcast: The Memory Palace "The Sisters Fox." This was the first time we heard about them, and was the inspiration to make this show.

Podcast: Lore "Passing Notes." Another take on the story. While TMP episode is bittersweet, this one is a bit darker.

Book: Talking to the Dead: Kate and Maggie Fox and the Rise of Spiritualism by Barbara Weisberg. A meticulous book on the Fox Sisters, and the main point of reference for our production.

Book:  The Reluctant Spiritualist: The Life of Maggie Fox by Nany Rubin Stuart. While Weisberg's book comes from the perspective of a believer, this text is a bit more pragmatic.


For those of you familiar with the history of these ladies, you'll notice a stark omission to our tale--the third sister, Leah Fox Underhill. Leah was more than two decades older than Maggie and Kate, and a sly entrepreneur. Once she heard about her younger sisters' abilities, she rushed to claim them and control them. Leah became their manager and manipulator, their constant companion and puppetmaster. She ushered them into the houses of the wealthy and encouraged them to drink the wine that was offered, which they became terribly addicted to. Their substance abuse eventually lead them to early graves in their 50s. Leah used the fame of her younger sisters to build her own fame, and she has her own amazing story to tell, albeit mostly embellished by herself. Because of all of this, Leah has been banished from our production. If we must call Maggie and Kate back to re-live their humanity, we can spare them that much.


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