About Minnesota Fringe

There is one big thing that makes Fringe different from any other event in town: All the shows you'll see at Fringe were selected randomly by lottery.

Yep. That's right. Each year the lineup is crafted by placing numbered ping-pong balls into a bingo cage and drawing them out, one by one. From stage veterans to people who are brand new to theater, Minnesota Fringe is a forum for anyone with a story to tell. We also provide the necessary support to make producing a show as easy as possible, regardless of where you land on the artistic spectrum.

Anyone (yes, anyone) can apply to have a show in the festival. If you'd like to have a show in our next festival, applications will go live in November here on our website. Sign up for our newsletter to receive a reminder as well as information about other theater events happening around town.

The mission of the Minnesota Fringe is to promote creative freedom and diversity of artistic expression by linking adventurous artists with adventurous audiences. Thank you for joining in this adventure!

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Showtimes

Shows start and end on time at Fringe. With 850 performances of 167 shows in just 11 days, we have to run a tight schedule to avoid descending into chaos. Performances are no more than 60 minutes long with a half hour between each show.

On weekdays shows begin at 5:30pm, 7pm, 8:30pm and 10pm. On weekends there are additional shows at 1pm, 2:30pm and 4pm.

Late seating: There is NO LATE SEATING at Minnesota Fringe. In addition to keeping our schedule, late seating is a safety issue for artists and audiences.

Safety for artists: Some of our theaters require that patrons walk across parts of the stage to reach the seating area, and many of our production companies’ stage work encompasses entrances and exits from the house.

Safety for audiences: Entering a darkened theater, possibly for the first time, and trying to find open seats puts patrons and volunteers at unnecessary risk.

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Fringe Central

Fringe Central, sponsored by Surly Brewing and hosted by Grumpy's Bar & Grill - Downtown, serves as the late-night watering hole for artists, staff, volunteers and audience members alike. Come in after a day full of shows to grab a beer and some bar food. Talk about what you loved and what you didn’t. Meet the artists behind the scenes and actors on the stage. Find out what you should see tomorrow or dream up your own idea for next year. You never know what will happen during Fringe, but dropping by Fringe Central gives you a serious head start.

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What to Wear

Shorts and a t-shirt. Seriously. Also, a pair of comfy shoes will serve you well in case you have to wait in line. Pro tip: Most Fringe shows take place indoors in air-conditioned venues, so having a layer to throw on in case you get chilly is also advisable.

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Choosing a Show

With 850 performances of 167 shows, it's scandalous to see just one. But how to choose the perfect lineup?

Search by genre: You can filter for genres when trying to decide what to see.

Talk to people: It only sounds scary. Just look for the folks in lanyards. Lanyards are worn by Fringe artists and there are at least a thousand of them dying to tell you about their show.

Read and write reviews: See what audiences are raving about on our audience review page, then return the favor and let others know what you thought.

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Get Involved

Fringe isn't just a festival - it's a community, and it couldn't exist without people like you.

Create: Applications for the 2018 festival will go live mid-November on this website. Fringe is open to everyone, all shows are selected by lottery, and you don't even need to have a show ready when you apply.

Attend: Thanks to the new day pass system, attending Fringe is easier and cheaper than ever.

Volunteer: Our 400+ volunteers are near and dear to our hearts and make our festival go, so we shower them with lots of love and complimentary seats! Sign up for a shift now!

Socialize: Join us any night of the festival at our official hangout, Fringe Central sponsored by Surly Brewing and hosted by Grumpy's Bar & Grill - Downtown, for a beer, a burger and maybe even some late-night shenanigans.

Support: Help us create Minnesota's Summer Theater Crawl by donating to or sponsoring our annual festival. Gifts of any size make a large contribution to our ability to meet our mission.

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Box Office Info

Pass + Token = Your Admission

Everyone needs a valid pass to see a show. In addition to your pass, you will receive a token at the venue which guarantees you a seat. Turn in your token to the usher when you enter the theater.

More information about passes and policies here.

Reservations

Optional reservations guarantee a seat for a particular performance and can be purchased online in advance. You must also have a valid to get in. Day passes can be bought online with a reservation to save time, and can be picked up at the venue box office 30 minutes before the performance.

More information about reservations here.

Rules

For everyone's safety, Fringe does not allow late seating or re-admission. Photos and video are prohibited without written permission from the production staff. Fringe cannot provide refunds or exchanges.

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Florence Brammer

Years attending Fringe: 10 years or more
55-64 years old
Lives in... Minneapolis
Favorite genre: Something Different


Florence Brammer's reviews

Out of the Shadows
Almost painfully beautiful and real

Exquisite dancing and choreography coupled with fascinating on-going commentary about dance, rent payments, homophobia, the Mexico wall, and the joy of authenticity. Something SO special. A well-deserved standing ovation.

Jefferson Township Sparkling Junior Talent Pageant: A New Musical
SO good!

I'm not normally a big Fringe musical-goer, but this is fantastic. Everything is top-notch: the script is tight and clever, the music is memorable and SO well-sung, the lyrics move the story forward, and the comedic acting is fantastic. Really great.

Skins
Not a detail was overlooked

This is just a wonderful show. The detailed attention to every element of the production -- costumes, movement, props, acting, staging, and of course the text itself -- showed in every scene. Beautifully conceived and executed, surprising and richly layered. Highly recommended.

The Memory Box of the Sisters Fox
Elegant and touching

What an elegant show, with painstaking detail to sound, props, costumes, lighting and movement, as well as a tight and rich script. I did not know anything about these real-life sisters, and this very satisfying show combines a very touching domestic story of the sisters' devotion to one another with the evolution of Spiritualism. The Arena venue is perfect for this lovely show.

Whisper Into My Good Ear
Searing script, powerful performances

This is simply top-quality theatre: an amazingly moving and poignant script with powerful, uber-skilled performances. You could hear a pin drop during the last ten minutes. This script is full of insights into both the profundities and the minutiae that make up a life, and beautifully merges tragedy and humor. Just wonderful and not to be missed.

BOOMBOX.
Funny, sweet and totally engaging

Starr has such a charismatic presence, and she easily pulls off a variety of fast-paced, short-length skits, ranging from poignant to laugh-out-loud funny. Very enjoyable, and something you really don't get to see outside a Fringe setting.

FUNKiN' Good Time
I could have watched this for hours

SO GOOD. Great choreography and music, wonderful stage charisma, and unbelievable dancing skills (rehearsed to perfection). The full house had a blast (singing along, cheering, and clapping) and that just added to the excitement. I hope this group gets a booking for a full evening show at Cowles, the Southern, ArtShare or otherwise.

The Buttslasher
Great writing and performances

This was a ridiculously fun show. The writing was really good (although the last scene could use some reworking, IMO, as the narrative and energy seemed to unravel during the last few minutes). The performance of the lead detective was especially and wonderfully noir-ish.

It's About Love Again This Year
Nothing not to like here

The choreography is engaging, the dancers move well and the music is varied and enjoyable. Clever use of spoken word, props and humor add to the fun.

The Mysterious Old Radio Listening Society
Flawless execution of a great idea

What a great idea for a Fringe show, and so beautifully done. The costumes, props, sound, and acting all perfectly recreated two creepy radio-broadcast tales that still hold up despite being from the mid-20th century. It was so much fun to be able to experience something like this. This 10 p.m. slot was my sixth show of the day and I went in rather tired, but I was totally engaged throughout the whole thing.

Melody Mendis is "Barbra"
A must for Streisand fans

Mendis' appearance and mannerisms uncannily resemble Streisand's, but more importantly her vocal performance was just gorgeous as a straight-up concert. My only suggestion is that the recorded orchestral soundtrack (rather cheesy at times) is played too loudly and overcame the delicacy of a considerable amount of the singing. (And I was in the front row.) I appreciated the banter and insights between songs, e.g., that Streisand -- despite her killing the role on Broadway -- almost didn't get cast in the film version of Funny Girl because she looked "too Jewish." (To play real-life Fanny Brice? Really?). A wonderful show. I will certainly keep my eyes open for other concerts by Mendis in the area.

Blackout Improv
Improv-plus

This is such a skilled group of improv artists who wonderfully blend compelling race-related and other social justice issues into their show via group discussion, skits and special guests. It's inspiring to witness the bravery of artists working without a net, and wonderful to see Blackout in the Fringe.

Hello, I Must Be Going...
A look into the final years of an icon

I adore the Marx Brothers and this show is a must for any Marx Bros./Groucho fan. Tight script despite covering a lot of material, great performances, nice use of venue space. Hauptman is great as Groucho, of course.

Fruit Flies Like a Banana: WORLD TOUR
Music and travel? I'm in!

As a music lover and a travel lover, this show was -- for me -- the most satisfying of the three I've seen in the Minnesota Fringe by Fruit Flies. I especially appreciated the fascinating educational interludes about musical culture and instruments from around the world. I really strong concept for a show, and so well executed.

Themselves They Made Immaculate: Clara Barton at Andersonville
A riveting look at a remarkable woman

American Civic Forum cites its commitment to merging art with history and citizenship, and this is a fascinating example of how it succeeds in not only entertaining us, but also informing and inspiring us. Through Clara Barton's own words before Congress -- powerfully and poignantly presented by Linda Sue Anderson -- we learn so much in 50 minutes about both Reconstruction and Barton. I will definitely be seeking out more information about this amazing woman.

On The Exhale
Powerful performance, powerful script

Everything is in place here -- a polished, complex script; a masterful, riveting performance; and a perfect, intimate venue. A must see.

One Foot
Poetic script & stunning performances

This is an absolutely beautifully acted production of a haunting and poetic script. Both actors are just stunning and the quiet, heartfelt emotion of the scenes will stay with me for a long time. Highly recommended.

Intermediate Physical Comedy for Advanced Beginners
Local treasures to be cherished!

I mean, who really gets to see, in person, this quality of physical comedy and sight gags anymore? I can think of a couple of troupes in town who integrate these almost-lost arts into their shows, but this duo is just all in with their devotion to them. I loved and appreciated this SO MUCH. So smart, so fun, and just perfection.

There Ain't No More!
Using ashes to fertilize new gardens

What an amazing show -- created, presented and performed with such intricacy and skill. Amazing use of props, music, lights, masks, puppets and visual art. Complex and layered without ever feeling heavy-handed or didactic. A real tour de force.

Sevlin & Devlin Presents: Seven Evans in Heaven
Not much story, but who really cares?

In any other hands, this show would be a bust as the narrative isn't much. But these artists are so endearing and talented and funny, it's a joy to watch. Great puppetry, movement, sight gags, cast chemistry and non-stop energy.

Stranger-er Things: Netflix and KILL
Skills honed to perfection

Reed again distills a pop culture phenomenon to its essence with brilliant writing, movement, acting, singing and props. He is just SO GOOD at this that it's easy for those of us who have enjoyed his performances for years to forget how incredibly difficult it must be to do this so well. Smart and silly and just great.

A Mermaid Abroad & A Fish Out of Water
Travel stories, well told

I love travel and I adore listening to travelers' experiences. These stories were well-written and well-told in this intimate venue. The interaction between Ariel and Scot was endearing and provided skillful transitions among the stories. Very well-done and highly recommended.

"___________"
Fabulous acting and script

This is such a wonderful show -- GREAT acting; lyrical, mysterious script; extremely effective use of the beautiful venue.

The Zoo Story (New Version)
Classic Albee, expertly acted

This still-chilling Albee one-act is beautifully acted and directed in this production that brings out both the personal and the metaphorical elements of the work. Wonderful.

Sean Neely
My head is spinning

One of my favorite classes in college was epistemology, the study of what we "know" and how it is that we conclude that we "know." Can we ever really know what is "true'? When does it matter and when does it not? When do questions matter more than answers? Is there a point at which thought trumps action? Are repressed thoughts less repugnant than expressed ones? When are backstories excuses rather than explanations? How can we tell if emotions like remorse (even our own, much less others') are genuine, or merely being portrayed via gestures and physical manifestations of dubious authenticity? And what is the role of theatre and art in this mix of artifice and truth and that wide expanse in-between?

The Banana Wars
Information-packed & winningly performed

First of all: I cannot even imagine the skill and discipline involved in not only researching and writing this show, but in delivering this densely packed text at a breakneck speed in such a winning and engaging way. A wonderful blend of history, geography and current events, woven together with both global and personal threads. I would have found some visual projections to have added interest to the show -- perhaps maps, landscapes, or images of the historical figures referenced -- but maybe Miller thought these would detract from the attention the text warrants. Very impressive.

Anarchy! (a handbook)
Great performances and strong material

I loved seeing this mostly-young cast present this strong, overtly political material. Their performances were strong and assured and the pacing was tight and skilled. Kudos to everyone, I hope to see more from this talented group.

Live From New York, He's A Prom Date!
Prom and Mom

This was a charming blend of a real-life high school prom experience and some poignant observations about mother-daughter relationships. At times the anecdotal value of the prom material seemed to be stretched a little too thin, but film footage from the actual Sally Jesse Raphael TV show at the heart of the story helped keep the audience engaged.

The Ballad of Bearclaw Jones
All-in acting & delightful silliness

The cast looked great, the premise held my interest, and I laughed out loud . . . a lot. I liked how the characters in the flashback scenes are played by different actors in each recreation. The script could have been a bit tighter, but the actors were so appealing and absolutely committed to the world of the piece. Everything worked!

STRANGER
A unique show, well done

The three cast members are effective and appealing in this show about Jews of color and the intersectionality of identity. Great movement and use of props and music.

The Wright Stuff, or You'll Believe They Can Fly!
So much packed into less than an hour

What a great way to start the 2017 Fringe. A perfect blend of history and fiction; great sight gags, props and physical comedy; rapid-fire dialogue; a delightful use of music; and polished performances by this great cast. Recommended!

Couple Fight 3: Weddings!
Best "Couple Fights" yet

This hour just flew by as these delightful true-life arguments between the married couples in the cast are reenacted. Some segments are stronger than others; Shannon Custer is especially brilliant, as always. My choice for the "winners" of the arguments: Kraft, Zabel, Leeman, Custer, Meyer, McLarn (as Hartke), John Zeiler.

A Pickle
It's always fun to see a true story

This script perhaps stretches itself a bit too thin in its admirable effort to encompass a lot of themes in 50 minutes, but it's a interesting and instructive true story. As someone who has both lobbied (successfully!) for a new State Fair category a few years ago (vegan main dish, enter it next year!) and who has entered Jewish baked goods in the ethnic baking category for years, I especially enjoyed Doris' pickle journey.

Pinocchio
Well-written and acted fun

The performances really make this well-written script shine. A very fun hour.

Synchronicity
Middle school angst

I had high hopes for this, as middle school friendships among girls can be so intense and nurturing and devastating and fragile (within the same 10 minutes!). I would have liked to see more modulation in the script, with perhaps more earnestness or sweetness in some scenes. The sustained over-the-top volume/tone and broad portrayals tired me out about 20 minutes it. The final swimming sequence was very nicely done. Rounded up from 2.5 because of the strength of the concept and the commitment of the cast.

Mine/Field
Concept trumps dancing/choreography

What an interesting concept for a dance show, and the dancers have great stage appeal and move beautifully. However, the piece as a whole came off in parts as rather random and disjointed, lacking cohesion and artful transitions. I found myself often wondering why certain artistic choices were made as much as watching the dance.

Death in Yosemite: A comedic adaptation of the Non-Fiction Book
Great concept and solid performances

Such a clever idea for a show. Endearing performances and skillful use of the venue to convey falls, cliffs and hiking trails. The script seemed to sag a bit at times and may have benefited from some tightening up and more modulation among the scenes, but this is charming and well worth a Fringe slot.

Frankenstein
Great execution, underdeveloped script

I adore Shelley's "Frankenstein," and this show looks great -- the lighting and sound are very effective, and the violence/fight scenes are very well choreographed and staged. The heavy-handedly presented theme of who is the master and who the creature wears thin pretty quickly, though. A major character's purpose (narrator? Greek chorus-type observer?) is distractingly underdeveloped and unclear, so much so that I found the character's presence to sap scenes of their power.

Dame daDA & the Meta Show
Quirky and thoughtful silliness

Dame daDA has an infectious stage charisma and I enjoyed the earnest and collaborative use of audience participation. Very charming.

Never Wonder Land
High hopes, but not much here

I adore Alice in Wonderland (and Peter Pan as well), so was really looking forward to this mash-up of adventures. I don't need a linear narrative and I can appreciate the dreamy vibe apparently being sought here, but it just didn't work for me. Beautiful use of shadow to depict Alice's enlargement and shrinkage, though.

Minnesota Dance Ensemble Presents CARMEN
I adore Carmen, but . . .

I love Carmen and have enjoyed many dance productions of it/inspired by it. The choreography here was so elementary, uninteresting and repetitive that this looked more like a dance school's recital than a theatrical production. The whole thing just looked really awkward and unpolished. Much of the movement was more a series of held poses than choreography. The on-stage singing was very nice at first, but then in the final number, the singer was singing over a vocal recording and you could scarcely hear the live performer at all.


Florence Brammer's Queue

Wayward Theatre - The Weir