About Minnesota Fringe

There is one big thing that makes Fringe different from any other event in town: All the shows you'll see at Fringe were selected randomly by lottery.

Yep. That's right. Each year the lineup is crafted by placing numbered ping-pong balls into a bingo cage and drawing them out, one by one. From stage veterans to people who are brand new to theater, Minnesota Fringe is a forum for anyone with a story to tell. We also provide the necessary support to make producing a show as easy as possible, regardless of where you land on the artistic spectrum.

Anyone (yes, anyone) can apply to have a show in the festival. If you'd like to have a show in our next festival, applications will go live in November here on our website. Sign up for our newsletter to receive a reminder as well as information about other theater events happening around town.

The mission of the Minnesota Fringe is to promote creative freedom and diversity of artistic expression by linking adventurous artists with adventurous audiences. Thank you for joining in this adventure!

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Shows start and end on time at Fringe. With hundreds of performances and dozens of shows in just 11 days, we have to run a tight schedule to avoid descending into chaos. Performances are no more than 60 minutes long with a half hour between each show.

On weekdays shows begin at 5:30pm, 7pm, 8:30pm and 10pm. On weekends there are additional shows at 1pm, 2:30pm and 4pm.

Late seating: There is NO LATE SEATING at Minnesota Fringe. In addition to keeping our schedule, late seating is a safety issue for artists and audiences.

Safety for artists: Some of our theaters require that patrons walk across parts of the stage to reach the seating area, and many of our production companies’ stage work encompasses entrances and exits from the house.

Safety for audiences: Entering a darkened theater, possibly for the first time, and trying to find open seats puts patrons and volunteers at unnecessary risk.

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Fringe Central

Fringe Central, sponsored by Surly Brewing and hosted by a local establishment, serves as the late-night watering hole for artists, staff, volunteers and audience members alike. Come in after a day full of shows to grab a beer and some bar food. Talk about what you loved and what you didn’t. Meet the artists behind the scenes and actors on the stage. Find out what you should see tomorrow or dream up your own idea for next year. You never know what will happen during Fringe, but dropping by Fringe Central gives you a serious head start.

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What to Wear

Shorts and a t-shirt. Seriously. Also, a pair of comfy shoes will serve you well in case you have to wait in line. Most Fringe shows take place indoors in air-conditioned venues, so having a layer to throw on in case you get chilly is also advisable.

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Choosing a Show

With hundreds of performances and dozens of shows, it's scandalous to see just one. But how to choose the perfect lineup?

Search by genre: You can filter for genres when trying to decide what to see.

Talk to people: It only sounds scary. Just look for the folks in lanyards. Lanyards are worn by Fringe artists and there are at least a thousand of them dying to tell you about their show.

Read and write reviews: See what audiences are raving about on our audience review page, then return the favor and let others know what you thought.

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Get Involved

Fringe isn't just a festival - it's a community, and it couldn't exist without people like you.

Create: Applications for the 2018 festival will are live on this website. Fringe is open to everyone, shows are selected by lottery, and you don't even need to have a show ready when you apply.

Volunteer: Our volunteers are near and dear to our hearts and make our festival go, so we shower them with lots of love and complimentary seats! Sign up for a shift now!

Socialize: Join us any night of the festival at our official hangout, Fringe Central sponsored by Surly Brewing and hosted by a local establishment, for a beer, a burger and maybe even some late-night shenanigans.

Support: Help us create Minnesota's Summer Theater Crawl by donating to or sponsoring our annual festival. Gifts of any size make a large contribution to our ability to meet our mission.

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Box Office Info

Pass, Reservations, and Tickets, Oh My!

In 2018, Fringe will still offer passes but is also re-introducing single tickets options to see shows. We are re-tooling our Box Office policies to reflect our changes. Please check back for more information in the spring.

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Molly Glover

Years attending Fringe: 2-4 years
35-44 years old
Lives in... Suburbs
Favorite genre: Comedy

Molly Glover's reviews

Dick White: Ghost Detective
Smash That Fourth Wall, Dick

I was expecting a clever noir send-up. What I got was a totally fucking absurd, laugh-out-loud, fourth-wall-destroying, tongue-in-cheek, comedic-surprise force. Even the occasional word stumbles or rushed lines couldn't bring down my delight. I can't remember the last time I laughed this hard at this many stupid, ridiculous jokes. I loved it. I really hope to see more productions from I'm Related to Lin-Manuel Miranda in the future.

The Summoning
Clever Concept

(Full disclosure: I am married to one of the actors and I am good friends with the majority of the cast and crew.) The premise of The Summoning is inherently giggle-inducing. The execution is solid, and the cast delivers heartfelt performances. The script had some very innovative ideas and humorous lines, several of which had me surprised-laughing out loud. The actors really bring the script to greater heights with non-spoken asides and funny characterizations. But I had trouble hearing/understanding some of the lines due to enunciation and acoustics, and I feel like jokes were lost because of that. This show is only going to get better as the run continues, and if you like dark humor, you won't be disappointed.

Katie Versus The Devils
Katie's In Control

Katie Versus the Devils is a play that showcases the strength of a woman who believes in herself and her own moral compass. It's a period piece that revolves around Katie Luther, wife of Martin Luther (yep, that one). The costumes are great, and the set evokes the cozy dining room of a well-kept home. I enjoyed the parable and the overall story, but I felt some of the writing and acting fell a little flat at times. Overall this was an enjoyable show and I have a feeling it will only get better as the run continues.

The Tragedy of Obi-Wan Kenobi

I don't usually leave negative Fringe reviews, but the writer/lead actor insisted we do so. I really wanted to like this show. I am steeped in Star Wars lore daily, professionally even. I am the prime audience. But this was beyond dull. First, the good: Gerber's Han Solo and Saxe's Emperor were bright spots. I was very impressed with the fluidity of the fight choreo, and with the actor playing R2-D2's movements. The script was really, really rough. It alternates between straight-up Star Wars screenplay dialogue and meandering, uninteresting monologues. The blocking for the monologues only worsened this. Obi-Wan's acting was flat, his voice very difficult to understand. I'm sorry to say it, but this is not the show you're looking for