About Minnesota Fringe

There is one big thing that makes Fringe different from any other event in town: All the shows you'll see at Fringe were selected randomly by lottery.

Yep. That's right. Each year the lineup is crafted by placing numbered ping-pong balls into a bingo cage and drawing them out, one by one. From stage veterans to people who are brand new to theater, Minnesota Fringe is a forum for anyone with a story to tell. We also provide the necessary support to make producing a show as easy as possible, regardless of where you land on the artistic spectrum.

Anyone (yes, anyone) can apply to have a show in the festival. If you'd like to have a show in our next festival, applications will go live in November here on our website. Sign up for our newsletter to receive a reminder as well as information about other theater events happening around town.

The mission of the Minnesota Fringe is to promote creative freedom and diversity of artistic expression by linking adventurous artists with adventurous audiences. Thank you for joining in this adventure!

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Shows start and end on time at Fringe. With hundreds of performances and dozens of shows in just 11 days, we have to run a tight schedule to avoid descending into chaos. Performances are no more than 60 minutes long with a half hour between each show.

On weekdays shows begin at 5:30pm, 7pm, 8:30pm and 10pm. On weekends there are additional shows at 1pm, 2:30pm and 4pm.

Late seating: There is NO LATE SEATING at Minnesota Fringe. In addition to keeping our schedule, late seating is a safety issue for artists and audiences.

Safety for artists: Some of our theaters require that patrons walk across parts of the stage to reach the seating area, and many of our production companies’ stage work encompasses entrances and exits from the house.

Safety for audiences: Entering a darkened theater, possibly for the first time, and trying to find open seats puts patrons and volunteers at unnecessary risk.

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Fringe Central

Fringe Central, sponsored by Surly Brewing and hosted by a local establishment, serves as the late-night watering hole for artists, staff, volunteers and audience members alike. Come in after a day full of shows to grab a beer and some bar food. Talk about what you loved and what you didn’t. Meet the artists behind the scenes and actors on the stage. Find out what you should see tomorrow or dream up your own idea for next year. You never know what will happen during Fringe, but dropping by Fringe Central gives you a serious head start.

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What to Wear

Shorts and a t-shirt. Seriously. Also, a pair of comfy shoes will serve you well in case you have to wait in line. Most Fringe shows take place indoors in air-conditioned venues, so having a layer to throw on in case you get chilly is also advisable.

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Choosing a Show

With hundreds of performances and dozens of shows, it's scandalous to see just one. But how to choose the perfect lineup?

Search by genre: You can filter for genres when trying to decide what to see.

Talk to people: It only sounds scary. Just look for the folks in lanyards. Lanyards are worn by Fringe artists and there are at least a thousand of them dying to tell you about their show.

Read and write reviews: See what audiences are raving about on our audience review page, then return the favor and let others know what you thought.

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Get Involved

Fringe isn't just a festival - it's a community, and it couldn't exist without people like you.

Create: Applications for the 2018 festival will are live on this website. Fringe is open to everyone, shows are selected by lottery, and you don't even need to have a show ready when you apply.

Volunteer: Our volunteers are near and dear to our hearts and make our festival go, so we shower them with lots of love and complimentary seats! Sign up for a shift now!

Socialize: Join us any night of the festival at our official hangout, Fringe Central sponsored by Surly Brewing and hosted by a local establishment, for a beer, a burger and maybe even some late-night shenanigans.

Support: Help us create Minnesota's Summer Theater Crawl by donating to or sponsoring our annual festival. Gifts of any size make a large contribution to our ability to meet our mission.

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Box Office Info

Pass, Reservations, and Tickets, Oh My!

In 2018, Fringe will still offer passes but is also re-introducing single tickets options to see shows. We are re-tooling our Box Office policies to reflect our changes. Please check back for more information in the spring.

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Vanessa Markman

Years attending Fringe: 2-4 years
18-20 years old
Lives in... Saint Paul
Favorite genre: Comedy

Vanessa Markman's reviews

Broad Sex in the Twin Cities
Badass Broads

These women are amazing! The cast had loads of energy and impressive comedic timing. The script had a great mix of witty jokes, sarcasm, goofy bits, and flat-out outrageous moments, so there was a little something for everyone. This piece proves that young women are the future of theatre/comedy! Can't wait to see what's GIRL Theatre does next.

Imperfect, but still lovable.

This show was flawed but overall endearing. I was won over by charismatic actors and a hilarious concept, but I felt the script fell a bit flat. I LOVED the final swim/dance number, but the rest of the physical comedy was unoriginal and not very well executed. I had fun and am rooting for this company - but I would not put Synchronicity on a must-see list.

Gruesome Playground Injuries
I was going to give it 3 stars but...

The frequent and flippant use of the "r" word in this show is completely unacceptable. I take this word very seriously and it took me out of the story every time it was used. Dakotah's performance was the only redeeming element of this piece. I found him endearing and honest, and I appreciated his effort to connect to the other actor, who felt a bit artificial. I expected more from a piece with a published script and such glowing reviews, but unfortunately I do not recommend this piece.

America, The Rewrite
America, the Rewrite

A one man show where 75% of the lines are pre-recorded and played on a (difficult to hear) audio device. It is impossible to have any kind of momentum or flexibility when the star of the show is a tape recorder. I was frustrated with the lack of natural timing, and furthermore, don't understand the point of this show. I was excited by the title, because America's history could use some rewriting, but the only mentions of America was a few brief comments about Christopher Columbus and the year 1492. The plot lacked clarity and purpose, and the comedy was a bit stale. I appreciated the dedication, commitment, and energy of the performer.

Vanessa Markman's Queue

Metro Transit