About Minnesota Fringe

There is one big thing that makes Fringe different from any other event in town: All the shows you'll see at Fringe were selected randomly by lottery.

Yep. That's right. Each year the lineup is crafted by placing numbered ping-pong balls into a bingo cage and drawing them out, one by one. From stage veterans to people who are brand new to theater, Minnesota Fringe is a forum for anyone with a story to tell. We also provide the necessary support to make producing a show as easy as possible, regardless of where you land on the artistic spectrum.

Anyone (yes, anyone) can apply to have a show in the festival. If you'd like to have a show in our next festival, applications will go live in November here on our website. Sign up for our newsletter to receive a reminder as well as information about other theater events happening around town.

The mission of the Minnesota Fringe is to promote creative freedom and diversity of artistic expression by linking adventurous artists with adventurous audiences. Thank you for joining in this adventure!

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Shows start and end on time at Fringe. With hundreds of performances and dozens of shows in just 11 days, we have to run a tight schedule to avoid descending into chaos. Performances are no more than 60 minutes long with a half hour between each show.

On weekdays shows begin at 5:30pm, 7pm, 8:30pm and 10pm. On weekends there are additional shows at 1pm, 2:30pm and 4pm.

Late seating: There is NO LATE SEATING at Minnesota Fringe. In addition to keeping our schedule, late seating is a safety issue for artists and audiences.

Safety for artists: Some of our theaters require that patrons walk across parts of the stage to reach the seating area, and many of our production companies’ stage work encompasses entrances and exits from the house.

Safety for audiences: Entering a darkened theater, possibly for the first time, and trying to find open seats puts patrons and volunteers at unnecessary risk.

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Fringe Central

Fringe Central, sponsored by Surly Brewing and hosted by a local establishment, serves as the late-night watering hole for artists, staff, volunteers and audience members alike. Come in after a day full of shows to grab a beer and some bar food. Talk about what you loved and what you didn’t. Meet the artists behind the scenes and actors on the stage. Find out what you should see tomorrow or dream up your own idea for next year. You never know what will happen during Fringe, but dropping by Fringe Central gives you a serious head start.

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What to Wear

Shorts and a t-shirt. Seriously. Also, a pair of comfy shoes will serve you well in case you have to wait in line. Most Fringe shows take place indoors in air-conditioned venues, so having a layer to throw on in case you get chilly is also advisable.

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Choosing a Show

With hundreds of performances and dozens of shows, it's scandalous to see just one. But how to choose the perfect lineup?

Search by genre: You can filter for genres when trying to decide what to see.

Talk to people: It only sounds scary. Just look for the folks in lanyards. Lanyards are worn by Fringe artists and there are at least a thousand of them dying to tell you about their show.

Read and write reviews: See what audiences are raving about on our audience review page, then return the favor and let others know what you thought.

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Get Involved

Fringe isn't just a festival - it's a community, and it couldn't exist without people like you.

Create: Applications for the 2018 festival will are live on this website. Fringe is open to everyone, shows are selected by lottery, and you don't even need to have a show ready when you apply.

Volunteer: Our volunteers are near and dear to our hearts and make our festival go, so we shower them with lots of love and complimentary seats! Sign up for a shift now!

Socialize: Join us any night of the festival at our official hangout, Fringe Central sponsored by Surly Brewing and hosted by a local establishment, for a beer, a burger and maybe even some late-night shenanigans.

Support: Help us create Minnesota's Summer Theater Crawl by donating to or sponsoring our annual festival. Gifts of any size make a large contribution to our ability to meet our mission.

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Box Office Info

Pass, Reservations, and Tickets, Oh My!

In 2018, Fringe will still offer passes but is also re-introducing single tickets options to see shows. We are re-tooling our Box Office policies to reflect our changes. Please check back for more information in the spring.

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Harry Uxley's reviews

Fruit Flies Like a Banana: WORLD TOUR
Ants in your pants!

We couldn't stay seated! As didn't the amazingly talented trio while playing the tuba, flute, percussion, and numerous other instruments. Trot around the globe with music - a fugue of international influences.

KnoW WesT
Worth a gander

More intellectual & literary than most fringe shows we have seen. Historical allusions woven into personal histories make this a most inventive story. Singing was absolutely wonderful. Adrienne Gaylor's ballads invoke the lonesomeness of the prairies & plains, though acrobatics confused us during the duet.

The Memory Box of the Sisters Fox

Perfect in every way: music, acting, setting, costumes, lighting, story created an atmosphere as evocative as memory. This is a story about loss & love that would resonate with all ages. I was moved to tears. Our children were captivated.

Hot Air
Bees on your knees!

Edge of your seat physical comedy. Good timing & coordination among actors. Plot deflated a bit.

Blackbeard's Revenge
No justice done

Simplistic storyline which didn't shed light on Blackbeard's revenge. Couldn't feel for the characters. Music was awesome but seemed a separate act.

The Tragedy of Obi-Wan Kenobi
Shot itself in the foot

This would be a fun one-hour coversation over beers with another Star Wars fan, but worth a Fringe show? It's a mere re-hashing and trite parody, though parody it did not pull off. Mostly felt contrived or lazy. Gratuitous cursing poorly delivered. All that said, R2D2 was awesome and our 8-year-old loved it.

Norman Bates?

Who was that person inserting herself everywhere? Frankenstein's mother's ghost? Stagehand? Director? We were confused if this was a postmodern interpretation that just fell flat or if the person forgot to don a costume. We are familiar with Shelley's text, and this did not do it any justice. The young actors could have some potential if they were allowed.

Joia Spirit